Golden Age Botanicals, which proffers her beautiful paper creations: lifelike flowers and botanicals made entirely by hand and entirely out of paper. I asked Kathryn to tell us about the genesis of her business and what inspires her.
What made you want to start Golden Age Botanicals?
It initially started as a partnership with a friend, but over time it became a project of my own. I needed a place to make work at the pace I wanted, paying attention to details that I had otherwise been told were a waste of time. I've been lucky to have some wonderful creative jobs in the past, but they also came with a breakneck pace I felt obligated to adopt in order to feel like I was doing my job effectively. You miss out on a lot when you move too fast!
Golden Age allows me to study and honour nature in a way that is meditative, where my instincts and curiosity guide me completely, and I can venerate the smallest of details that nature so nimbly produces. I wanted to share that love with others too. I'm also a florist, and my favourite thing is talking about flowers with other florists and flower appreciators: the way a rose fades as it ages, the tissue paper layers of a ranunculus, watching a poppy crack open from its bristly bud.
What is the significance of the name?
Golden Age Botanicals refers to the Dutch Golden Age, an era of still life and flower painting in Dutch history that focused on capturing in heightened realism the beauty and impermanence of nature. Initially the idea was to recreate these painted elements in paper, which is why I also create hand sculpted fruit, insects and animals. But now I think of it as a broader study of all the different ways we use flowers to speak for us, the language of nature and how we use it to speak for us and to each other.
What inspires your work?
Dutch Golden Age painters, especially Rachael Ruysch and Balthasar van der Ast, floral designers, botanical studies and scientific drawings and prints, Emily Dickinson (especially her herbarium) and Victorian flower language, and medicinal plant knowledge and history.
I'm also very inspired by flowers in general. Designing with flowers teaches me a lot about composition, lines, and colour, and how to let the natural shape of individual pieces direct a final form. That has taught me to always try working from a live model when creating a paper piece.
I try to spend some time in local greenhouses and neighbourhood gardens, and I spend a lot of time researching types of flowers and their place in history. Right now I'm reading a book about David Austin roses and the history of garden rose breeding, it's fascinating!
Who do you consider to be your mentors in this craft?
I rely on Instagram a lot to stay connected with paper flower artists. I am especially inspired by Tiffanie Turner, Jennifer Tran, Ann Wood and Lynn Dolan. Thuss & Farrell's book Paper to Petal was the first I had ever seen about paper flowers, beyond what I came across in vintage home crafting books. I also work closely with a few floral designers in Toronto that have taught me so much about how to work with flowers, and that feeds pretty directly into my paper work.
What would be a dream commission?
Probably creating something just for Saipua or a series of garden roses for David Austin (could I ever do them justice?) But I also especially love requests for special pieces to give as gifts, I would like to do more of that too!
I was so smitten with Kathryn's work that I felt I needed to invest in a couple of pieces of my own. Below are photographs of two of Kathryn's works in my home. I love how they look and I know that I will cherish them for decades to come. Please visit Kathryn's Etsy shop to explore more of her work!
I knew I needed these hellebores the moment I saw them in her shop. It is one of my favourite flowers and the way Kathryn had situated them in that beautifully-tarnished cup with the moss was just too much to resist. It sits on my dining room hutch under a collection of wall-mounted plates and prints with similar botanical references. It looks perfect there!
The detail in Kathryn's work is utterly beautiful. Every surface is considered and done to perfection.
I loved the graphic nature of this mounted paper pear with blossoms. I had to have it. It's so striking and bold: very much like a Dutch painting. I have it hanging next to the wooden mirror over my dresser in my bedroom. Every time I wake up and get dressed I get to have a good look at it. It's become part of my daily routine!
Again, every single detail is considered.